Dr Thomas Stammers
Associate Professor in Modern European History, University of Durham
Assistant Professor (Modern European Cultural History)
Durham University
+44 (0) 191 33 41071
Tom Stammers is a cultural historian of France in the long nineteenth century. His forthcoming book with Cambridge University Press, The Purchase of the Past: Collecting Cultures in Post-Revolutionary Paris, explores the politics of collecting, the art market and cultural heritage in nineteenth-century France. He continues to publish work related to nineteenth-century collecting, connoisseurship, museum institutions and the historiography of art, with a particular interest in the work of Francis Haskell. He also publishes on the tangible traces, cultural memory and historiography of the French Revolution.
Research Groups
Department of History
Research Interests
- Aesthetics and Politics
- Counter-Revolutionary Thought and Culture c.1789-1900
- France, c.1750-1900
- Heritage and Historical Consciousness
- Jewish Cultural History
- Museums and Collecting
- The Enlightenment and European Romanticism
- The French Revolutionary Tradition
Chapter in book
- Stammers, Tom (2017). Graphiksammler. In Lexikon der Revolutions-Ikonographie in der europäischen Druckgraphik (1789-1889). Reichardt, Rolf Münster: Rhema. 1: 149-166.
- Stammers, Tom (2016). Enlightenment Intersections in the work of Jeffrey Rubinoff. In The Art of Jeffrey Rubinoff. Fox, James Madeira Park, BC: Douglas & McIntyre. 153-168.
- Stammers, Tom (2016). Jean-Louis Soulavie: une collection de l'histoire immédiate. In Collectionner la Révolution française. Bertrand, Gilles Biard, Michel & Chevalier, Alain Paris: Société des Études Robespierristes. 81-93.
- Stammers, Tom (2016). The Myth of the Belle Madeleine: street culture and celebrity in nineteenth-century Paris. In Food Hawkers: Selling in the street from Antiquity to the Present. Calaresu, M. & Heuvel, Danielle van Abingdon, Oxon: Routledge. 136-164.
- Stammers, Tom (2014). Scavenging rococo: Trouvailles, Bibelots and Counter-Revolutionary Politics. In Rococo Echo: Art, History and Historiography from Cochin to Coppola. Hyde, M. & Scott,K. Voltaire Foundation, University of Oxford. 71-86.
- Stammers, Tom (2013). Rendering the Rag-Picker in Nineteenth-Century Paris. In Generals and Beggars, Actors and Sovereigns: Portraits in Widely Circulating Prints from the XVII to XX Century. Milano, Alberto Tassotti. 393-99.
- Stammers, Tom (2013). The Faubourg Saint-Antoine: Epicentre of Revolution?. In The Cambridge Companion to the Literature of Paris. Milne, Anna-Louise Cambridge: Cambridge University Press. 52-70.
- Stammers, Tom (2008). The Refuse of the Revolution: Autograph Collecting in France 1789-1860. In Historicising the French Revolution. Armenteros,C., Blanning, T., DiVanna, I. & Dodds,D. Cambridge Scholars Publishing. 39-63.
Edited book
- Stammers, Tom (2017). The Allure of Napoleon: Essays Inspired by the Collections of the Bowes Museum. Barnard Castle, The Bowes Museum.
Journal Article
- Stammers, T (2019). Globalizing the French Revolution in Interwar France. Annales. Histoire,Sciences Sociales-English Edition
- Stammers, Thomas (2019). Old French and new money: Jews and the aesthetics of the Old Regime in transnational perspective, c.1860–1910. Journal of Modern Jewish Studies 18(4): 489-512.
- Stammers, Tom (2019). The Homeless Heritage of the French Revolution, c.1789-1889. International Journal of Heritage Studies 25(5): 478-490.
- Stammers, Tom (2018). Facets of French Heritage: Selling the Crown Jewels in the Early Third Republic. The Journal of Modern History 90(1): 76-115.
- Stammers, Tom (2018). From the Tuileries to Twickenham: The Orléans, Exile and Anglo-French Liberalism, c.1848–1880. English Historical Review 133(564): 1120-1154.
- (2018). Historian, Patriot and Paragon of Taste: Baron Jean-Charles Davillier (1823–83) and the Study of Ceramics in Nineteenth-Century France. French Porcelain VII.
- Stammers, Tom (2014). Collectors, Catholics, and the Commune: Heritage and Counterrevolution, 1860-1890. French Historical Studies 37(1): 53-87.
- Stammers, Tom (2013). Salvaging and Archiving the French Revolution. E-France: New Perspectives on the French Revolution 4: 57-59.
- Stammers, Tom (2008). The Bric-à-Brac of the Old Regime: Collecting and Cultural History in post-revolutionary France. French History 22(3): 295-315.